The studio gave her a choice of names she picked Bancroft “because it sounded dignified.”Īfter a series of B pictures, she escaped to Broadway in 1958 and won her first Tony opposite Henry Fonda in “Two for the Seesaw.” The stage and movie versions of “The Miracle Worker” followed. She had been acting in television as Anne Marno (her real name: Anna Maria Louise Italiano), but it sounded too ethnic for movies. She was signed by Twentieth Century-Fox in 1952 and given the glamour treatment. Her beginnings in Hollywood were unimpressive. “On most nights we performed it felt as if we were one,” she said. Patty Duke, who played Keller to Bancroft’s Sullivan, said “there aren’t superlatives enough” to describe what working with Bancroft was like. “Her beauty was constantly shifting with her roles, and because she was a consummate actress she changed radically for every part.” “Her combination of brains, humor, frankness and sense were unlike any other artist,” Nichols said in a statement. Mike Nichols, who directed “The Graduate,” called Bancroft a masterful performer.
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